Una idea por lámina.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 48% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster poster still, a vast dark studio at night): she stands on the RIGHT half of the frame, framed from the waist up, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, no lanyard, no jewelry. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm, she does not lean toward the lens. She looks straight into the lens with calm, confident determination, arms relaxed. Behind her, far away and enormous, ONE thin luminous ring of pure teal light (#36C8BF) hangs in the haze, tilted like a planet's orbit, so wide that it passes behind her shoulders and its far side disappears into the haze; on the ring, a single small bright sphere of teal light, the only point on the orbit. The ring is the only strong light: it rims her hair, shoulders and jacket with a thin teal edge from behind; a soft, low cool key light from the front right models her face. Thin haze catches the ring's glow. The LEFT 48% of the frame is calm, deep dark studio space: no ring crossing it, no objects, no spheres, only faint haze. The bottom fifth is a dark polished floor that barely reflects the ring. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark polished studio floor in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada de un brochure general con la receta efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "document", en 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate BR1b (Nexa frente a la órbita teal, registro cine); no lo recortes ni lo muevas. A la izquierda, en x = 140 (frameColumn.insetPx), arma la columna de voz con top = 300: logo negativo de Efeonce a 500 px; eyebrow en top + 190 (22 px, Poppins 500, mayúsculas, color suave de la voz); pregunta en top + 238 (Poppins Light 40 px, una línea) con el anillo en el acento de la línea growth; respuesta en top + 300 (Bricolage 760, 124 px, interlineado 0,95) cerrada con su esfera de 0,2 em en el mismo acento (answerHtml); evidencia Poppins 400 28/1,3, 34 px debajo, con UNA palabra en negrita y partida en dos líneas. No agregues burbuja URL, eslogan, cliente, selección ni cursor. Antes de entregar, verifica que ninguna palabra toque la órbita ni a Nexa y que la respuesta mida al menos 3× la pregunta.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark studio at night): she stands on the RIGHT half of the frame, framed from the waist up, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, no lanyard, no watch, no rings. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm, she does not lean toward the lens. She holds her open right palm up at chest height and looks straight into the lens with a confident, knowing half-smile. Around her orbit FIVE glowing spheres of pure light, each the size of an orange, each a single saturated color: teal (#36C8BF), vivid orange (#FF6500), azure blue (#0375DB), red-orange (#F83902) and magenta-pink (#E86BD0). They travel along one wide tilted elliptical orbit that passes in front of her and behind her, and each sphere leaves a long luminous light trail of its own color along the orbit, like a long-exposure photograph, so the five colored trails braid into one orbit of light around her. The spheres are the only light sources besides a cool rim from behind: they paint her face, hand and jacket with colored light, one sphere hovers just above her open palm and lights it from below, one passes in front of the lens softly out of focus. Thin haze catches every colored trail. The LEFT 45% of the frame is calm, deep dark studio space with no spheres, no trails and no objects, only faint haze. Rich contrast, punchy saturated color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a presentation table close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada de un brochure general con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "document", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate NX6b (Nexa con cinco esferas de luz, una por línea, la naranja en su palma). Columna de voz en x = 140 con top = 250: logo negativo de Efeonce a 500 px; eyebrow +190; pregunta +238 con anillo en el acento growth; respuesta +300 a 124 px cerrada con UNA esfera teal (las esferas de la foto no cuentan como esfera de la voz); evidencia 34 px debajo, en dos líneas, con una palabra en negrita. Firma abajo a la izquierda con la burbuja url-lum.svg de 216 px en x = 140, 51 px sobre el borde, fusión luminosity a opacidad 1. Sin eslogan, sin cliente, sin selección. Verifica que la evidencia no toque la esfera naranja ni el haz que entra por la izquierda de la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark studio at night): she stands on the RIGHT half of the frame, framed from the waist up, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, no lanyard, no watch, no rings. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm, she does not lean toward the lens. She holds her open right palm up at chest height and looks straight into the lens with a confident, knowing half-smile. Around her orbit FIVE glowing spheres of pure light, each the size of an orange, each a single saturated color: teal (#36C8BF), vivid orange (#FF6500), azure blue (#0375DB), red-orange (#F83902) and magenta-pink (#E86BD0). They travel along one wide tilted elliptical orbit that passes in front of her and behind her, and each sphere leaves a long luminous light trail of its own color along the orbit, like a long-exposure photograph, so the five colored trails braid into one orbit of light around her. The spheres are the only light sources besides a cool rim from behind: they paint her face, hand and jacket with colored light, one sphere hovers just above her open palm and lights it from below, one passes in front of the lens softly out of focus. Thin haze catches every colored trail. The LEFT 45% of the frame is calm, deep dark studio space with no spheres, no trails and no objects, only faint haze. Rich contrast, punchy saturated color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a presentation table close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Parte de cover-brochure-cine-lines (plate NX6b a sangre, columna de voz en x = 140, burbuja url-lum abajo a la izquierda) con top = 200. Marca la respuesta con [data-sel], súbela 28 px (top + 328) y deja la evidencia 130 px bajo la respuesta. Pinta la selección SOLO con el contrato AXIS efeonce.collaboration-selection: resolveCollaborationSelectionIntent con targetKind "text", variant "eight-handles", padding "standard", overlay "none" y un cursor de colaborador anclado en "bottom-end", participantKind "person", label "Nexa", escala 1,1; renderízalo con renderCollaborationSelection midiendo la caja real del texto en el DOM. Comprueba evidence.withinCanvas y que la etiqueta no pise la evidencia ni la mano de Nexa. Un solo cursor; nada sobre la persona.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 5 (object reference): Image 5 is the Efeonce team polo. Image 5 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 6 (object reference): Image 6 is the Efeonce team hoodie. Image 6 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic ensemble movie poster still, a dark studio at night): on the RIGHT half of the frame, a team of four stands in a loose staggered V, all facing the camera and all looking straight into the lens; nobody looks at anyone else. In FRONT and in the center of the group, she (the woman of the references) wears the NAVY EFEONCE SOFTSHELL JACKET, framed from the knees up, arms relaxed, a calm confident half-smile. Half a step behind her, to her left, a Chilean strategist in her thirties with dark hair tied back wears the NAVY EFEONCE POLO; to her right, a Chilean art director in his late twenties with short dark hair and a light beard wears the NAVY EFEONCE HOODIE; further back, slightly out of focus, a Chilean developer in his forties with glasses wears the NAVY EFEONCE POLO. At their feet and on one shoulder, five small friendly robot agents with rounded white bodies and happy glowing screen faces stand with them, each the size of a cat. REALISTIC ADULT PROPORTIONS: camera about three meters away at chest height, 85mm. A strong cool teal-white rim light from behind cuts every silhouette from the dark and crosses a thin haze; a soft low key from the front models the faces. The LEFT 45% of the frame is calm, deep dark studio space with nothing in it, only faint haze. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark studio floor in the lowest fifth, dissolved into shadow, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure general con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "document", sobre efeonceGraphicLine.color.dark. Pon a sangre el plate BR2b (Nexa al frente del equipo y los agentes, todos al lente). Columna de voz en x = 140 con top = 250: logo negativo de Efeonce a 500 px, eyebrow +190, pregunta +238 con anillo teal (acento growth), respuesta +300 a 124 px con su esfera, evidencia 34 px debajo en dos líneas con una palabra en negrita. Sin burbuja, eslogan, cliente ni selección. Verifica que la evidencia termine antes del robot de la izquierda y de la manga de la primera persona.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, evenly shadowed bare dark wall on the left half, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IMAGE 1 (object reference): Image 1 is the Efeonce team polo. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 2 (object reference): Image 2 is the Efeonce lanyard with its retractable reel and rigid-frame badge holder. Image 2 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (staged, Efeonce studio at night, mid-work): a Chilean content strategist in her early thirties, dark hair tied back, wearing the navy Efeonce polo with the Efeonce lanyard, badge card turned away and unreadable, sits at a dark walnut desk and leans toward a very large external monitor angled three-quarters toward the camera, pointing at the screen with a pen, focused, caught in the moment she decides; nobody looks at the lens. The monitor fills a big part of the right half of the frame and shows a clean, bright editorial layout made only of soft abstract blocks, a large empty headline bar, three image placeholders and a thin chart line, no readable text, no logos. The monitor is the brightest thing in the frame and lights her face and hand in cool white-blue; a warm low practical lamp behind her right shoulder cuts a rim on her hair. One plain azure-blue (#0375DB) notebook on the desk carries the only blue. She and the monitor occupy the RIGHT half of the frame; the LEFT half is a calm, evenly shadowed bare dark wall. 35mm f/2.

FOREGROUND (planned): the near edge of the dark walnut desk, dissolved into blur and outside every beam, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure de Growth Strategy & Measurement con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "line", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate de la línea (una estratega con polo y lanyard revisando un tablero en un monitor (no mira al lente)). Toma el acento de efeonceGraphicLine.lines["growth"].accentOnDark y úsalo SOLO en el anillo de la pregunta y la esfera de la respuesta. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Brochure · Growth Strategy» en top + 190; pregunta «¿Lo medimos?» en top + 238 (Poppins Light 40 px, una línea); respuesta «Siempre» en top + 300 (Bricolage 760, 124 px) cerrada con su esfera; evidencia Poppins 400 28/1,3 en 3 líneas con UNA palabra en negrita y las categorías del catálogo docs/services/ de la línea. Sin burbuja, eslogan, cliente ni selección. Si una línea toca al sujeto, un haz o una pieza de la foto, acorta la pregunta o parte la evidencia; no muevas la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IMAGE 1 (object reference): Image 1 is the Efeonce team hoodie. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (staged, cinematic high-impact editorial photograph, a dark digital creative studio at night): a Chilean creative director in her late twenties, curly dark hair loose, wearing the NAVY EFEONCE HOODIE (deep navy, not royal blue), stands on the RIGHT half of the frame, framed from the waist up, REALISTIC ADULT PROPORTIONS, camera about two meters away at chest height, 85mm f/2. She holds BOTH hands forward at chest height, palms up and open, OFFERING something to the viewer, elbows relaxed, NOT raising her arm, NOT conducting; she looks straight into the lens with a calm, knowing, closed-mouth smile, head almost frontal. Just above her open palms hovers ONE finished piece of content: a thin frameless vertical 9:16 screen showing a bold, vivid, art-directed campaign image, glowing deep azure-blue (#0375DB), the one cool light of the scene; it throws blue light onto her palms and chin. Behind her, deep in the haze and softly out of focus, and ONLY on the frame-RIGHT side of the room (behind her right shoulder, between her body and the right edge of the frame), her creative squad works at three separate stations: a designer at a large tablet, a video editor at a wide timeline, a motion designer with headphones; they are small, turned toward their own work, nobody looks at the camera and nobody looks at anyone else up close. From each of those three stations a glowing piece of content lifts off and joins ONE single luminous ribbon of warm orange light (#FF6500) that rises from the squad at the back RIGHT of the room, sweeps up above her head on the frame-right side and flows forward down into her open hands, never passing to the left of her head or her left arm, like a river carrying the work from the team to her: along that ribbon ride six or seven thin frameless screens of different real formats (square feed post, 4:5 post, wide 16:9 video frame, slim phone, web banner) at different depths, small and blurred near the squad, larger and sharper as they approach her hands. It is an OPEN flowing path from the back of the room toward the lens, NOT a closed ring and NOT an ellipse around her. The screens show saturated color-block graphics, a product close-up splashed with paint, a dancer mid-jump, a bold abstract gradient, and throw vivid orange, hot magenta, violet and teal light into the haze; any tiny text on them is too small and too blurred to read. Hard cool rim light from behind separates her hair and shoulders from the dark; the haze catches the orange ribbon and the colored beams. The ribbon, every screen and every person stay inside the RIGHT 55% of the frame: nothing lit, no person, no desk, no monitor and no screen appears to the left of her left elbow. The LEFT 45% of the frame is calm, deep dark studio space, only a few far out-of-focus colored bokeh dots, no ribbon, no screens, no people, no objects. Rich contrast, punchy color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a worktable close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure de Creative Services con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "line", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate de la línea (una directora creativa con hoodie dirigiendo una constelación de piezas). Toma el acento de efeonceGraphicLine.lines["brand"].accentOnDark y úsalo SOLO en el anillo de la pregunta y la esfera de la respuesta. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Brochure · Creative Services» en top + 190; pregunta «¿Quién crea mi contenido?» en top + 238 (Poppins Light 40 px, una línea); respuesta «Tu squad» en top + 300 (Bricolage 760, 124 px) cerrada con su esfera; evidencia Poppins 400 28/1,3 en 3 líneas con UNA palabra en negrita y las categorías del catálogo docs/services/ de la línea. Sin burbuja, eslogan, cliente ni selección. Si una línea toca al sujeto, un haz o una pieza de la foto, acorta la pregunta o parte la evidencia; no muevas la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IMAGE 1 (object reference): Image 1 is the Efeonce team polo. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark digital studio at night): a Latin American web lead in his early thirties, short dark hair and a trimmed beard, wearing the NAVY EFEONCE POLO, stands on the RIGHT half of the frame, framed from the waist up, looking straight into the lens with a confident half-smile. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm. With one raised hand he is sliding a module into place inside a HUGE floating holographic WEBSITE that towers beside and behind him: a translucent, glowing azure-blue (#0375DB) web page made of light, with a hero block, navigation bar, image cards, buttons and a search bar, layered in depth like panes of glass, its edges sharp and luminous, every tiny text on it too small and too blurred to read. Three kinds of visitors are using the website at the same time: a glowing white mouse cursor with a light trail clicking a button; a bright beam of light sweeping across the page like a search engine crawler; and three small friendly robot agents, each the size of a football, round glossy white bodies with navy panels and big expressive azure LED eyes, with cheerful comic faces, walking along the page's layout, one reading a card with a tiny flashlight, one pressing a button, one waving. The hologram is the main light source and throws azure light on his face, polo and the haze, with a few teal (#36C8BF) and magenta (#E86BD0) highlights inside the page. Cool rim light from behind. The LEFT 45% of the frame is calm, deep dark studio space with no hologram, no robots and no objects, only faint haze. Rich contrast, punchy color, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a desk close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure de Digital Services & Engineering con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "line", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate de la línea (un líder web con polo que toca una web holográfica usada por personas y agentes robot). Toma el acento de efeonceGraphicLine.lines["engine"].accentOnDark y úsalo SOLO en el anillo de la pregunta y la esfera de la respuesta. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Brochure · Digital Services» en top + 190; pregunta «¿Te encuentra la IA?» en top + 238 (Poppins Light 40 px, una línea); respuesta «Visible» en top + 300 (Bricolage 760, 124 px) cerrada con su esfera; evidencia Poppins 400 28/1,3 en 3 líneas con UNA palabra en negrita y las categorías del catálogo docs/services/ de la línea. Sin burbuja, eslogan, cliente ni selección. Si una línea toca al sujeto, un haz o una pieza de la foto, acorta la pregunta o parte la evidencia; no muevas la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IMAGE 1 (object reference): Image 1 is the Efeonce team softshell jacket. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark studio at night): a Latin American media and distribution lead in her early thirties, straight dark hair tied back, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, stands on the RIGHT half of the frame, framed from the waist up, looking straight into the lens with calm confidence. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm. In her open palm, held at chest height, glows ONE small bright sphere of warm red-orange light (#F83902). From that single sphere, dozens of thin beams of the same red-orange light fan out behind her into the depth of the studio, each beam ending on a small glowing screen floating far away in the haze: phones, a laptop, a billboard, a TV, a podcast microphone glow, all tiny and out of focus, like one message reaching many audiences at once. The sphere is the brightest light: it lights her face, hand and jacket in warm orange; a cool rim light from behind separates her from the dark. Haze catches the beams. The LEFT 45% of the frame is calm, deep dark studio space with only faint haze, no beams, no screens, no objects. Rich contrast, punchy color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a presentation table close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure de Media & Distribution con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "line", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate de la línea (una líder de medios con chaqueta que sostiene una esfera de luz de la que salen haces a muchas pantallas). Toma el acento de efeonceGraphicLine.lines["voice"].accentOnDark y úsalo SOLO en el anillo de la pregunta y la esfera de la respuesta. Columna en x = 140 con top = 300: logo negativo de Efeonce a 500 px; eyebrow «Brochure · Media & Distribution» en top + 190; pregunta «¿Dónde invierto?» en top + 238 (Poppins Light 40 px, una línea); respuesta «Donde rinde» en top + 300 (Bricolage 760, 124 px) cerrada con su esfera; evidencia Poppins 400 28/1,3 en 3 líneas con UNA palabra en negrita y las categorías del catálogo docs/services/ de la línea. Sin burbuja, eslogan, cliente ni selección. Si una línea toca al sujeto, un haz o una pieza de la foto, acorta la pregunta o parte la evidencia; no muevas la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IMAGE 1 (object reference): Image 1 is the Efeonce team softshell jacket. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark studio at night): a Latin American RevOps lead in her mid thirties, dark wavy shoulder-length hair, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, stands on the RIGHT half of the frame, framed from the waist up, looking straight into the lens with a confident half-smile, one open hand raised toward a glowing knot of light beside her as if steering it. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm. Around her flows a huge horizontal BOW-TIE made of streams of light: from the far right background thousands of tiny glowing particles pour in and converge, narrowing into one brilliant knot of light next to her raised hand, and from that knot the streams open out again toward the foreground, wider and brighter, like a revenue engine that keeps growing after the sale. The streams are vivid magenta-pink (#E86BD0) with azure (#0375DB) and a few teal (#36C8BF) particles; the knot blazes white-magenta and lights her face, hand and jacket. Riding along the streams, three small friendly robot agents, each the size of a football, round glossy white bodies with navy panels and big expressive LED eyes, with cheerful comic faces: one surfs a stream toward the knot, one carries a tiny glowing card, one gives a thumbs-up. Cool rim light from behind, haze catching the colored streams. The LEFT 45% of the frame is calm, deep dark studio space with only faint haze, no streams, no robots, no objects. Rich contrast, punchy color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a presentation table close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la portada del brochure de RevOps & CRM con efeonceGraphicLine.surfaces.deck.recipes["cover-brochure"], layout "line", 1920 × 1080 sobre efeonceGraphicLine.color.dark. Pon a sangre el plate de la línea (una líder de RevOps con chaqueta que dirige el nudo de un moño de luz magenta y azul con agentes robot). Toma el acento de efeonceGraphicLine.lines["revenue-hubspot"].accentOnDark y úsalo SOLO en el anillo de la pregunta y la esfera de la respuesta. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Brochure · RevOps & CRM» en top + 190; pregunta «¿Y el reporte del viernes?» en top + 238 (Poppins Light 40 px, una línea); respuesta «Ya lo viste» en top + 300 (Bricolage 760, 124 px) cerrada con su esfera; evidencia Poppins 400 28/1,3 en 4 líneas con UNA palabra en negrita y las categorías del catálogo docs/services/ de la línea. Sin burbuja, eslogan, cliente ni selección. Si una línea toca al sujeto, un haz o una pieza de la foto, acorta la pregunta o parte la evidencia; no muevas la foto.

Compón la portada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["cover-proposal"], layout "orbit", 1920 × 1080 sobre efeonceGraphicLine.color.dark, sin foto. Dibuja UNA órbita gigante con giantOrbitReserve (centro 1638 · 540, radio 818, cortada por el borde derecho) en el acento teal con resplandor y su esfera arriba. Pon el logo del cliente (o el marcador punteado «Logo del cliente») en su caja fija de 460 × 200 centrada en 1400 · 540, con object-fit contain y marcado con [data-sel]. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Propuesta comercial · <Mes Año>»; «¿Cómo crecemos en <año>?» con anillo teal; «Con foco» a 124 px con su esfera; evidencia «Preparada para <b>[Cliente]</b> · Confidencial». Burbuja url-lum.svg de 216 px en x = 140, 72 px sobre el borde. Pinta la selección con el contrato AXIS efeonce.collaboration-selection: targetKind "object", variant "eight-handles", overlay "none", un cursor de colaborador en "top-end" con label «Cliente» (participantKind "role"). Sin foto ni eslogan; ninguna palabra toca la órbita.

Compón la portada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["cover-proposal"], layout "orbit", 1920 × 1080 sobre efeonceGraphicLine.color.dark, sin foto. Dibuja UNA órbita gigante con giantOrbitReserve (centro 1638 · 540, radio 818, cortada por el borde derecho) en el acento teal con resplandor y su esfera arriba. Pon el logo del cliente (sky-on-dark.svg) en su caja fija de 460 × 200 centrada en 1400 · 540, con object-fit contain y marcado con [data-sel]. Columna en x = 140 con top = 220: logo negativo de Efeonce a 500 px; eyebrow «Propuesta comercial · <Mes Año>»; «¿Cómo crecemos en <año>?» con anillo teal; «Con foco» a 124 px con su esfera; evidencia «Preparada para <b>SKY</b> · Confidencial». Burbuja url-lum.svg de 216 px en x = 140, 72 px sobre el borde. Pinta la selección con el contrato AXIS efeonce.collaboration-selection: targetKind "object", variant "eight-handles", overlay "none", un cursor de colaborador en "top-end" con label «SKY» (participantKind "department"). Sin foto ni eslogan; ninguna palabra toca la órbita.

Compón la portada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["cover-proposal"], layout "dawn", sobre efeonceGraphicLine.color.dark, sin foto y en eje central. Dibuja la órbita que sale como el sol (centro 960 · 1377, radio 761; el domo asoma desde y ≈ 616) en el acento teal con su esfera en el punto más alto y un resplandor radial hacia arriba. Arriba, centrados: logo negativo de Efeonce a 480 px en 56; eyebrow en 209; pregunta con anillo teal en 257; «Con foco» a 124 px con su esfera en 316; evidencia «Preparada para <b>SKY</b> · Confidencial» en 447; burbuja url-lum.svg de 216 px en 522, sobre la esfera. Dentro del domo, el logo del cliente en su caja de 340 × 130 centrada en 960 · 948, marcado con [data-sel]. Pinta la selección con efeonce.collaboration-selection: targetKind "object", "eight-handles", overlay "none", un cursor de colaborador en "top-end" con label «SKY», escala 1,1. Verifica que la etiqueta del cursor quede dentro del domo y no toque el anillo.

Compón la portada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["cover-proposal"], layout "dawn", sobre efeonceGraphicLine.color.dark, sin foto y en eje central. Dibuja la órbita que sale como el sol (centro 960 · 1377, radio 761; el domo asoma desde y ≈ 616) en el acento teal con su esfera en el punto más alto y un resplandor radial hacia arriba. Arriba, centrados: logo negativo de Efeonce a 480 px en 56; eyebrow en 209; pregunta con anillo teal en 257; «Con foco» a 124 px con su esfera en 316; evidencia «Preparada para <b>[Cliente]</b> · Confidencial» en 447; burbuja url-lum.svg de 216 px en 522, sobre la esfera. Dentro del domo, el logo del cliente en su caja de 340 × 130 centrada en 960 · 948, marcado con [data-sel]. Pinta la selección con efeonce.collaboration-selection: targetKind "object", "eight-handles", overlay "none", un cursor de colaborador en "top-end" con label «Cliente», escala 1,1. Verifica que la etiqueta del cursor quede dentro del domo y no toque el anillo.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark sky of haze on the top 40% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic closing shot, the last frame of a film): she (the woman of the references) is seen FROM BEHIND, her back to the camera, walking away toward the center of the frame across a vast dark polished floor, small in the frame (about a quarter of the frame height), wearing the NAVY EFEONCE SOFTSHELL JACKET seen from the back. Far ahead of her, low on the horizon at the center of the frame, ONE enormous thin ring of pure teal light (#36C8BF) stands upright like a gateway, its bottom touching the floor and reflected on it, with a single small bright teal sphere on its top. The ring is the only light: it backlights her silhouette with a thin teal rim and throws her long shadow toward the camera. Thin haze glows around the ring. The TOP 40% of the frame is a calm, deep, evenly dark sky of haze with nothing in it. The BOTTOM fifth is dark polished floor close to the lens, out of the ring's reflection. Symmetrical, centered composition, 50mm, camera at waist height about eight meters behind her. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark polished floor close to the lens in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la contraportada de un brochure con efeonceGraphicLine.surfaces.deck.recipes["close-brochure"], layout "photo", sobre efeonceGraphicLine.color.dark. Pon a sangre el plate BR3 (Nexa de espaldas camina hacia un anillo teal vertical). Columna en x = 140: logo negativo de Efeonce a 500 px en top 140; «¿Conversamos?» en Poppins Light 40 px con anillo teal en top ≈ 380; «Cuando quieras» en dos líneas, Bricolage 760 a 124 px (≥ 3× la pregunta) cerrada con la esfera teal; el eslogan «Empower your Growth» a 28 px en top 720 con sloganRuns; desde top 780 el bloque de contacto: burbuja URL horneada oscura con los seis íconos de redes en una fila y debajo correo, dos teléfonos y dirección de EFEONCE_CONTACT con sus íconos. Sin eyebrow ni evidencia. Verifica que nada cruce la órbita ni la silueta de Nexa.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark sky and water on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic closing shot, the last frame of a film, blue hour): she (the woman of the references) is seen FROM BEHIND, her back to the camera, walking away on the RIGHT half of the frame along a long dark reflective causeway that leads to the horizon, small in the frame (about a quarter of the frame height), wearing the NAVY EFEONCE SOFTSHELL JACKET seen from the back. Beside her, at her knee, walks ONE small friendly robot agent with a rounded white body, also seen from behind, the size of a cat. Far ahead, on the horizon on the right half, ONE enormous thin ring of pure teal light (#36C8BF) rises TILTED like a planet's orbit, half above the horizon line like a sunrise, its lower half reflected on the still dark water around the causeway; a single small bright teal sphere sits on the ring's highest point. The ring is the only strong light: it backlights both silhouettes with a thin teal rim and throws their long shadows toward the camera. Thin haze glows around the ring. The LEFT 45% of the frame is calm, deep, dark sky and dark water with nothing in it. The BOTTOM fifth is the dark wet causeway close to the lens, out of the ring's reflection. 50mm, camera at waist height about eight meters behind them. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark wet causeway close to the lens in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Igual que close-brochure-horizon con el plate BR4 (Nexa y un agente de espaldas por una pasarela hacia una órbita teal inclinada que sale al amanecer, en la mitad derecha). Columna en x = 140 sobre el 45 % izquierdo de cielo y agua oscuros: logo 500 px en top 140, «¿Conversamos?» con anillo teal, «Cuando quieras» a 124 px en dos líneas con su esfera, eslogan a 28 px en top 720 y el bloque de contacto (burbuja + seis redes + EFEONCE_CONTACT) desde top 780. Verifica que la dirección, la línea más larga, termine antes del borde de la pasarela.

Compón la contraportada del brochure con efeonceGraphicLine.surfaces.deck.recipes["close-brochure"], layout "orbit" (el defecto), sobre efeonceGraphicLine.color.dark sin foto. Dibuja UNA órbita gigante con giantOrbitReserve (centro 1638 · 540, radio 818, cortada por el borde derecho) en el acento teal con resplandor suave y su esfera encendida en la región superior; nada de texto la cruza. Columna en x = 140: logo negativo a 500 px en top 140; «¿Conversamos?» con anillo teal; «Cuando quieras» a 124 px en dos líneas, marcada con [data-sel] y cerrada con su esfera; eslogan a 28 px en top 720; contacto desde top 780 (burbuja + seis redes + EFEONCE_CONTACT). Pinta la selección con el contrato AXIS efeonce.collaboration-selection: variant "open-brackets", overlay "none", un cursor local en "end-center" (modo CTA). Verifica evidence.withinCanvas y que el cursor no toque la órbita.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark sky of haze on the top 40% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic closing shot, the last frame of a film): she (the woman of the references) is seen FROM BEHIND, her back to the camera, walking away toward the center of the frame across a vast dark polished floor, small in the frame (about a quarter of the frame height), wearing the NAVY EFEONCE SOFTSHELL JACKET seen from the back. Far ahead of her, low on the horizon at the center of the frame, ONE enormous thin ring of pure teal light (#36C8BF) stands upright like a gateway, its bottom touching the floor and reflected on it, with a single small bright teal sphere on its top. The ring is the only light: it backlights her silhouette with a thin teal rim and throws her long shadow toward the camera. Thin haze glows around the ring. The TOP 40% of the frame is a calm, deep, evenly dark sky of haze with nothing in it. The BOTTOM fifth is dark polished floor close to the lens, out of the ring's reflection. Symmetrical, centered composition, 50mm, camera at waist height about eight meters behind her. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark polished floor close to the lens in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la contraportada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["close-proposal"] sobre efeonceGraphicLine.color.dark. Pon a sangre el plate BR3-contra-horizonte (Nexa de espaldas camina hacia un anillo teal vertical). Columna en x = 140: logo negativo de Efeonce a 500 px en top 230; el eslogan «Empower your Growth» en bloque debajo del logo, al 64 % de su ancho (motion.layout.sloganOfLogo) y separado 1,35 veces su cuerpo (sloganGapOfFont), con sloganRuns (Empower 800 itálica, your 800, Growth 900 itálica en el acento de la línea); desde top 600 el bloque de contacto: burbuja URL horneada oscura con los seis íconos de redes en una fila y debajo correo, dos teléfonos y dirección de EFEONCE_CONTACT con sus íconos. No escribas «¿Conversamos?», eyebrow ni evidencia (voice mode none). Verifica que «Growth» termine antes de la órbita y de la silueta.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark sky and water on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic closing shot, the last frame of a film, blue hour): she (the woman of the references) is seen FROM BEHIND, her back to the camera, walking away on the RIGHT half of the frame along a long dark reflective causeway that leads to the horizon, small in the frame (about a quarter of the frame height), wearing the NAVY EFEONCE SOFTSHELL JACKET seen from the back. Beside her, at her knee, walks ONE small friendly robot agent with a rounded white body, also seen from behind, the size of a cat. Far ahead, on the horizon on the right half, ONE enormous thin ring of pure teal light (#36C8BF) rises TILTED like a planet's orbit, half above the horizon line like a sunrise, its lower half reflected on the still dark water around the causeway; a single small bright teal sphere sits on the ring's highest point. The ring is the only strong light: it backlights both silhouettes with a thin teal rim and throws their long shadows toward the camera. Thin haze glows around the ring. The LEFT 45% of the frame is calm, deep, dark sky and dark water with nothing in it. The BOTTOM fifth is the dark wet causeway close to the lens, out of the ring's reflection. 50mm, camera at waist height about eight meters behind them. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark wet causeway close to the lens in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la contraportada de propuesta con efeonceGraphicLine.surfaces.deck.recipes["close-proposal"] sobre efeonceGraphicLine.color.dark. Pon a sangre el plate BR4-contra-amanecer (Nexa y un agente de espaldas por una pasarela hacia una órbita inclinada que sale al amanecer). Columna en x = 140: logo negativo de Efeonce a 500 px en top 230; el eslogan «Empower your Growth» a 72 px en top 420 con sloganRuns (Empower 800 itálica, your 800, Growth 900 itálica en el acento teal); desde top 600 el bloque de contacto: burbuja URL horneada oscura con los seis íconos de redes en una fila y debajo correo, dos teléfonos y dirección de EFEONCE_CONTACT con sus íconos. No escribas «¿Conversamos?», eyebrow ni evidencia (voice mode none). Verifica que «Growth» termine antes de la órbita y de la silueta.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, evenly shadowed dark grey acoustic felt, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

SCENE (post-production suite, the editor finds the exact frame for a client's launch video): in focus, a video editor in a plain olive overshirt leans in CLOSE to a large colour-grading monitor, caught at the exact moment the index finger touches the timeline on the screen; the monitor is the brightest thing in the frame and its cool light lifts the editor's face and hand. A small lime-green sticky note on the monitor's edge; one plain azure-blue (#0375DB) coffee mug on the desk carries the only blue. Behind, soft and out of focus, acoustic panels in dark grey felt. 85mm f/1.8. LENS FRAMING (essential, compact): the editor's face, the pointing finger and the monitor are CLOSE TOGETHER, all three inside ONE circle whose diameter is about 75% of the frame height, centred at 74% of the frame width and at 56% of the frame height, with air around it; nothing essential outside that circle. The LEFT 45% of the frame holds only calm, evenly shadowed dark grey acoustic felt. Nobody looks at the lens. Screen content is soft, abstract colour, no readable text or numbers, unbranded.

FOREGROUND (planned): the dark rubber edge of the editing desk right at the lens, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón una lámina de sección 16:9 del deck Efeonce sobre el fondo oscuro Efeonce. A la derecha, la lente de portada de deck (`efeonceGraphicLine.pieces.lens['deck-cover']`) con la foto del oficio dentro del círculo; su arco es la navegación: nace a las 12 y barre sección actual / total × 360°, con la esfera al final del arco. A la izquierda, en el margen de deck, la voz: eyebrow en Poppins 300 «Sección n de N · <nombre>», la pregunta en Poppins Light con su anillo en el acento y la respuesta en Bricolage 760 de 1–3 palabras cerrada por la esfera, a más de 3× la pregunta (escala de voces de `surfaces.deck.recipes['section-lens']`). Ningún texto entra al anillo. No agregues indicador chico, logo ni burbuja URL: la lente ya es la órbita de la lámina. Pinta la lente con `paintGraphicLine` y la respuesta con `answerHtml`.

Compón la sección clásica AXIS con `deckSlideHtml('section', { sections, current, question, answer })` o, en el Artifact Composer, con `pnpm brand:compose -- --intent src/lib/brand-surfaces/examples/deck-section-classic-intent.json` cambiando `progress` y `voice`. Papel; a la derecha el anillo con el número de la sección dentro y «Sección n de N» debajo, el arco barriendo actual/total desde las 12 con su esfera; a la izquierda, en el margen de deck, la pregunta con anillo y la respuesta con esfera, a más de 3× la pregunta. Sobre papel el acento es `accentOnLight` de la línea y la tinta es navy. No agregues foto, logo ni burbuja.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, evenly shadowed dark grey acoustic felt, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

SCENE (post-production suite, the editor finds the exact frame for a client's launch video): in focus, a video editor in a plain olive overshirt leans in CLOSE to a large colour-grading monitor, caught at the exact moment the index finger touches the timeline on the screen; the monitor is the brightest thing in the frame and its cool light lifts the editor's face and hand. A small lime-green sticky note on the monitor's edge; one plain azure-blue (#0375DB) coffee mug on the desk carries the only blue. Behind, soft and out of focus, acoustic panels in dark grey felt. 85mm f/1.8. LENS FRAMING (essential, compact): the editor's face, the pointing finger and the monitor are CLOSE TOGETHER, all three inside ONE circle whose diameter is about 75% of the frame height, centred at 74% of the frame width and at 56% of the frame height, with air around it; nothing essential outside that circle. The LEFT 45% of the frame holds only calm, evenly shadowed dark grey acoustic felt. Nobody looks at the lens. Screen content is soft, abstract colour, no readable text or numbers, unbranded.

FOREGROUND (planned): the dark rubber edge of the editing desk right at the lens, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón una sección 16:9 con la foto documental a sangre (receta `surfaces.deck.recipes['section-bleed']`). Arriba a la izquierda, el indicador chico del deck (`pieces.deck.content`) que marca sección n de N; debajo, en el margen de deck y sobre el muro calmo que la ficha reservó, el eyebrow «SECCIÓN N DE N» en Poppins 500 mayúsculas espaciadas en el suave de la voz, la pregunta en Poppins Light blanca con su anillo en el acento y la respuesta en Bricolage 760 blanca con la esfera, a más de 3× la pregunta. Ningún texto toca al sujeto ni a su pantalla. Sin logo, sin burbuja, sin velos: si el contraste no da, se regenera el plate.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

SQUARE 1:1 composition. All heads and hands stay BELOW 40% of the frame height. TEXT SPACE (planned, essential): the TOP 28% of the frame is the calm, evenly shadowed plaster wall, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline.

SCENE (team portrait, Ciudad de México, a strategy director between two client sessions): a striking editorial portrait of a Mexican woman in her late thirties, short dark hair, plain charcoal knit, seated, turned three-quarters, looking out of frame to the left with calm intensity; a hard low key light from the left from a window OUTSIDE the frame on the left throws crisp graphic stripes of light and shadow across her face and knit; the blinds themselves are never in the frame, the far side of her face in open shadow; a rim from a second low source behind separates her hair from the wall. 135mm lens at f/2, focus on her eyes. One plain azure-blue (#0375DB) notebook under her hand carries the only blue. Contemporary room: a bare, evenly shadowed dark plaster wall behind her; no plants, no books, no framed art, no lamps, no shelves anywhere in the frame, not even out of focus. The desk holds only her notebook and a current thin laptop, closed. Nobody looks at the lens. The LEFT 30% of the frame, from top to bottom, is only the bare, evenly shadowed dark plaster wall and the dark desk: no window, no blinds, no bright edge, nothing in it.

FOREGROUND (planned): the edge of a dark oiled-wood desk on the camera side, dissolved into blur and outside every beam, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 18% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección partida 16:9 (`surfaces.deck.recipes['section-split']`). A la izquierda, el panel de papel con una sola esquina curva grande arriba a la derecha; la foto del retrato ocupa la derecha y continúa bajo la curva. Dentro del panel, en el margen de deck y de arriba abajo: el indicador de sección (pieza `pieces.deck.content`) cuyo arco nace abajo a la izquierda y sube por la izquierda en sentido horario, con la esfera arriba a la izquierda; el número de sección grande en Bricolage 300 navy; «Sección n de N»; la pregunta en Poppins Light navy con su anillo en `accentOnLight`; y la respuesta en Bricolage 760 navy con la esfera en el mismo acento, a más de 3× la pregunta. Nada del texto sale del panel. Sin logo ni burbuja. La plantilla `pnpm brand:compose` de section-split todavía pinta el indicador subiendo por la derecha: no la uses tal cual hasta que se corrija.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

SQUARE 1:1 composition. All heads and hands stay BELOW 40% of the frame height. TEXT SPACE (planned, essential): the TOP 28% of the frame is the dark, evenly shadowed bare wall on the left 35% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline.

IMAGE 1 (object reference): Image 1 is the Efeonce team polo. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic drama still, a creative studio at dusk, the moment a campaign comes together): a Latin American creative director in his early thirties, short dark hair and a trimmed beard, wearing the NAVY EFEONCE POLO, stands in the RIGHT half of the frame, centered around 70% of the width, seen from his left side three-quarters, in mid-motion: he reaches up and to the RIGHT with his right arm to pin the last large printed campaign key visual onto a wall behind him that is covered edge to edge with a grid of bold, colorful campaign prints (abstract color fields, product close-ups, bold shapes, no readable text, no logos); the print wall fills the RIGHT 55% of the background only; his left hand holds two more prints at waist height; he turns his head back toward the LEFT, toward the camera side, with a confident, energized smile, looking out of frame to the left as if calling the client over. A hard warm key light from a low window OUTSIDE the frame on the right rakes across him and the prints, throwing crisp long shadows; a cool teal rim from behind separates his shoulders. REALISTIC ADULT PROPORTIONS, both arms and hands anatomically correct and fully inside the frame, five fingers each, 50mm lens, camera at chest height about three meters away, slight low angle, focus on his face. Thin haze in the light beam. The LEFT 35% of the frame, from top to bottom, is only a dark, evenly shadowed bare studio wall with faint haze: no prints, no shelves, no plants, no window, no bright edge. Rich saturated color on the prints against deep shadow, no readable text, no logos of any other brand.

FOREGROUND (planned): the dark blurred corner of a worktable close to the lens at the bottom right, outside the light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 18% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección partida con la esquina abajo: igual que `section-split`, pero el panel de papel lleva su única esquina curva grande abajo a la derecha. Arriba a la izquierda, el indicador (`pieces.deck.content`) que sube por la izquierda con la esfera marcando sección n de N; debajo, el número grande en Bricolage 300 navy, «Sección n de N», la pregunta con anillo en `accentOnLight` y la respuesta en Bricolage 760 navy con su esfera, a más de 3× la pregunta. La foto a la derecha, con el sujeto mirando hacia el panel. Sin logo ni burbuja.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

SQUARE 1:1 composition. All heads and hands stay BELOW 40% of the frame height. TEXT SPACE (planned, essential): the TOP 28% of the frame is the calm, deep dark space on the left 30% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline.

SCENE (cinematic drama still, a marketing director alone in her dark office late at night, the moment she discovers her brand is the answer): a Chilean woman in her early forties, wavy dark hair, dark blazer over a black top, stands in the RIGHT 65% of the frame, turned three-quarters toward the LEFT, holding a smartphone up close in front of her face with both hands; the phone screen is the only key light: a cool white and teal glow hits her face, her hands and the underside of her chin from below and in front, her eyes lit and wide, a surprised, proud half smile starting, as if the phone just said her brand's name. A single warm azure-blue (#0375DB) rim light from behind her right shoulder outlines her hair and shoulder against the dark. The phone is seen from behind or at a steep angle so its screen content is never visible. REALISTIC ADULT PROPORTIONS, 85mm lens, camera at her eye level about two meters away, focus on her eyes, shallow depth of field. Thin haze catching the teal glow around the phone. Background: a deep dark office, far out-of-focus city lights through a window as tiny soft bokeh on the right. The LEFT 30% of the frame, from top to bottom, is only calm deep dark space with faint haze, no objects, no bright edges. Rich contrast, deep navy blacks, no readable text, no logos of any brand.

FOREGROUND (planned): the dark blurred edge of a desk close to the lens at the bottom, outside the light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 18% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección partida espejada: panel de papel en la mitad derecha con una sola esquina curva grande arriba a la izquierda y la foto a la izquierda, extendida bajo la curva (plate espejado si hace falta para que la persona actúe hacia el panel). Dentro del panel, en su margen interior: el indicador (`pieces.deck.content`) que sube por la izquierda con la esfera marcando sección n de N; el número grande en Bricolage 300 navy; «Sección n de N»; la pregunta en Poppins Light navy con su anillo en `accentOnLight`; y la respuesta en Bricolage 760 navy con la esfera, a más de 3× la pregunta. Sin logo ni burbuja, sin texto sobre la foto.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 48% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster poster still, a vast dark studio at night): she stands on the RIGHT half of the frame, framed from the waist up, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, no lanyard, no jewelry. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm, she does not lean toward the lens. She looks straight into the lens with calm, confident determination, arms relaxed. Behind her, far away and enormous, ONE thin luminous ring of pure teal light (#36C8BF) hangs in the haze, tilted like a planet's orbit, so wide that it passes behind her shoulders and its far side disappears into the haze; on the ring, a single small bright sphere of teal light, the only point on the orbit. The ring is the only strong light: it rims her hair, shoulders and jacket with a thin teal edge from behind; a soft, low cool key light from the front right models her face. Thin haze catches the ring's glow. The LEFT 48% of the frame is calm, deep dark studio space: no ring crossing it, no objects, no spheres, only faint haze. The bottom fifth is a dark polished floor that barely reflects the ring. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark polished studio floor in the lowest fifth, outside the ring's reflection, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección de cine de servicios (`surfaces.deck.recipes['section-cine']`, layout `services`): la foto de cine a sangre con Nexa en la mitad derecha y la órbita de luz de la escena; arriba a la izquierda el logo negativo de Efeonce y a su lado el eyebrow en mayúsculas espaciadas; en la mitad baja de la columna izquierda, la pregunta en Poppins Light con su anillo teal y la respuesta de una palabra en Bricolage 760 con su esfera, a más de 3× la pregunta. Sobre la respuesta, con `paintSelection`/`renderCollaborationSelection`, la selección de ocho manijas que incluye la esfera y el cursor propio anclado a la derecha al centro. Ningún texto cruza el haz de la órbita ni a Nexa. Sin indicador ni burbuja.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 5 (object reference): Image 5 is the Efeonce team polo. Image 5 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 6 (object reference): Image 6 is the Efeonce team hoodie. Image 6 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic ensemble movie poster still, a dark studio at night): on the RIGHT half of the frame, a team of four stands in a loose staggered V, all facing the camera and all looking straight into the lens; nobody looks at anyone else. In FRONT and in the center of the group, she (the woman of the references) wears the NAVY EFEONCE SOFTSHELL JACKET, framed from the knees up, arms relaxed, a calm confident half-smile. Half a step behind her, to her left, a Chilean strategist in her thirties with dark hair tied back wears the NAVY EFEONCE POLO; to her right, a Chilean art director in his late twenties with short dark hair and a light beard wears the NAVY EFEONCE HOODIE; further back, slightly out of focus, a Chilean developer in his forties with glasses wears the NAVY EFEONCE POLO. At their feet and on one shoulder, five small friendly robot agents with rounded white bodies and happy glowing screen faces stand with them, each the size of a cat. REALISTIC ADULT PROPORTIONS: camera about three meters away at chest height, 85mm. A strong cool teal-white rim light from behind cuts every silhouette from the dark and crosses a thin haze; a soft low key from the front models the faces. The LEFT 45% of the frame is calm, deep dark studio space with nothing in it, only faint haze. Rich contrast, deep navy blacks, no text, no logos of any other brand.

FOREGROUND (planned): the dark studio floor in the lowest fifth, dissolved into shadow, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección de cine del equipo (`surfaces.deck.recipes['section-cine']`, layout `team`): la foto de cine a sangre con Nexa al frente del equipo y los agentes mini robots en la mitad derecha; arriba a la izquierda el logo negativo de Efeonce con el eyebrow a su lado; en la mitad baja de la columna izquierda, la pregunta en Poppins Light en dos líneas con su anillo teal y la respuesta en Bricolage 760 en dos líneas con la esfera al final, a más de 3× la pregunta. Ningún texto toca a las personas ni a los agentes. Sin selección, indicador ni burbuja.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark workshop space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team polo. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

IMAGE 5 (object reference): Image 5 is the Efeonce team hoodie. Image 5 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood drama still, a creative workshop at night): on the RIGHT half of the frame, three people are gathered around a large glowing light table, caught in the middle of the work, nobody poses and nobody looks at the camera. She (the woman of the references) wears the NAVY EFEONCE POLO and leans over the table marking a printed proof with a marker, fully absorbed, a spark of excitement on her face. Beside her a Chilean art director in his late twenties with short dark hair and a light beard, in the NAVY EFEONCE HOODIE, holds a printed proof up against the light, smiling at what he sees. Behind them, slightly out of focus, a developer in his forties with glasses laughs, a laptop open. Only these three people are in the frame; the right edge of the frame is the workshop wall with the pinned pieces, nobody is cut by the edge. The light table is the key light: it lights their faces and hands from below in cool white with a teal edge; printed proofs, sticky notes, color swatches and a coffee cup cover the table. On the wall behind them, softly out of focus, a long strip of printed pieces from many past campaigns is pinned edge to edge, like years of work. ANATOMY: every person has exactly two arms and two hands, clearly attached to their own shoulders; the art director holds the proof with both hands at chest height; no arms or hands cross or overlap between people. REALISTIC ADULT PROPORTIONS: camera about three meters away at table height, 50mm, shallow depth of field. Thin haze catches the light. The LEFT 45% of the frame is calm, deep dark workshop space with nothing in it, only faint haze. Rich contrast, deep navy blacks, no readable text, no logos of any other brand.

FOREGROUND (planned): the dark blurred near edge of the light table's frame, close to the lens, outside the light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección de cine «quiénes somos»: foto de cine a sangre con Nexa y el equipo en pleno trabajo en la mitad derecha, con el 45 % izquierdo oscuro que la ficha reservó. En la columna izquierda, en el margen de deck: eyebrow en mayúsculas espaciadas, la pregunta en Poppins Light con su anillo teal, la respuesta en Bricolage 760 blanca en dos líneas con la esfera (a más de 3× la pregunta), el cuerpo en Poppins Light de hasta tres líneas y una fila de tres cifras en Bricolage con su etiqueta, separadas por filetes. Al pie, la burbuja URL a la izquierda. Sin logo, indicador ni selección; ningún texto toca a las personas.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark room space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team polo. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood drama still, a client's meeting room at night, city lights far behind the glass): on the RIGHT half of the frame, two people sit side by side at a large screen, the same side of the table, both lit by the screen. The client, a Latin American marketing director in her early forties in a dark blazer, holds the pen and is the one driving: she points at a rising line on the screen and explains it with conviction, a proud, surprised smile, discovering she can read it herself. Beside her, she (the woman of the references) wears the NAVY EFEONCE POLO, leans in slightly behind the client's shoulder, one hand open toward the screen as a coach, looking at the client, not at the screen, with a warm proud smile: she is teaching, not presenting. The screen is the key light: its cool white and teal glow lights both faces and hands from the front; a warm practical lamp in the background adds depth. REALISTIC ADULT PROPORTIONS: camera about two and a half meters away at seated eye level, 85mm, shallow depth of field, the screen seen at an angle so its content is abstract and unreadable. Thin haze. The LEFT 45% of the frame is calm, deep dark room space with nothing in it, only faint haze and soft out-of-focus city lights. Rich contrast, deep navy blacks, no readable text, no logos of any other brand.

FOREGROUND (planned): the dark blurred near edge of the meeting table, close to the lens, outside the light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la sección de cine «por qué lo hacemos»: foto de cine a sangre con la directora del cliente y la estratega de Efeonce en la mitad derecha, con el 45 % izquierdo oscuro reservado por la ficha. En la columna izquierda, en el margen de deck: eyebrow en mayúsculas espaciadas; la pregunta en Poppins Light con su anillo teal; la respuesta de una palabra en Bricolage 760 blanca con la esfera, a más de 3× la pregunta; la evidencia en Poppins Light blanca con una sola expresión en negrita; y la tabla de tres pilares (rótulo en semibold en `color.halo`, descripción en el suave de la voz) separados por filetes. Al pie, la burbuja URL. Sin logo, indicador ni selección; ningún texto toca a las personas ni la pantalla.

Lámina 16:9 sobre color.dark con halo radial en color.halo. Columna de voz a la izquierda (margen de deck): eyebrow, pregunta con anillo en el acento, respuesta en dos líneas en Bricolage cerrada por la esfera, bajada con una palabra en negrita. A la derecha, un escenario con perspectiva: la plataforma de luz (elipse con su arco de acento) y encima las fichas de vidrio del squad con foto real, nombre y cargo, el Responsable de Cuenta al frente y más grande con borde en color.halo, las demás a los lados giradas hacia el centro, más chicas y atrás, todas con reflejo. En el centro de la plataforma, «Tu marca / al centro de todo». La selección de AXIS toma sólo la ficha del líder con el cursor del colaborador «Cliente» en top-end. Sin indicador de navegación; burbuja URL en luminosidad en el pie. Ningún texto sobre las fichas ni cruzando la plataforma.

Lámina 16:9 sobre color.dark con halo en color.halo. Voz a la izquierda: eyebrow, pregunta con anillo, respuesta en dos líneas cerrada por la esfera y la bajada con el total de herramientas en negrita. A la derecha, en isométrica: una base de luz teal y encima tres capas de vidrio apiladas (Operar abajo, Medir al medio, Crear arriba) con pilares de luz en las esquinas; sobre cada capa, las fichas de sus herramientas de pie, con el isotipo del catálogo; Photoshop, Illustrator, Premiere, After Effects y Higgsfield en ficha oscura con su fondo nativo, el resto en ficha blanca. A la izquierda de cada capa, su nombre (la destacada en el acento) y «N herramientas · descriptor» con una guía. Junto a la base, «Todo se conecta en», el logo de Efeonce y «donde cada pieza se mide». Una órbita rodea la base con su arco de acento, sin esfera. Sin selección ni indicador; burbuja URL en el pie.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, deep dark studio space on the left 45% of the frame, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

IDENTITY (critical): the woman is NEXA, the SAME person shown in the Nexa reference images. Chilean-Brazilian, early thirties. Warm olive skin, Fitzpatrick IV, with real texture: visible pores, a few faint freckles and a small mole near the cheekbone — never poreless synthetic skin. Almond-shaped eyes, dark brown turning warm amber in direct light, outer corners angled slightly upward, with a defined winged upper lash line. Thick, defined brows with a medium arch. Straight nose with a subtle bridge and a slightly upturned tip. Full lips in a natural rosy tone. Medium-high cheekbones, soft jaw, slightly rounded chin. Dark brown, almost black wavy hair with warm natural highlights (never artificial streaks), falling below the shoulders. Make-up is always natural-elevated, never heavy or editorial. Preserve her face and hair EXACTLY as in the references; only pose, clothing, light and setting change.

SIGNATURE ACCESSORIES (Nexa always wears these; render them whenever the relevant body part is in frame AND large enough to resolve): a geometric matte-silver statement ring on the INDEX finger of her right hand — not a plain band, not gold, not on another finger; a modern SMARTWATCH on her LEFT wrist — a rounded-square aluminium or titanium case with a bright rectangular screen and a plain sport or woven band in navy or graphite, NEVER a round analogue dial with hands; small silver earrings, geometric studs or medium hoops depending on context, never gold and never ornate. Nails are neatly kept, short to medium, in a single colour across both hands: dark navy or rosy nude.

REFERENCES: Images 1-3 are Nexa (identity only; ignore their clothing and backgrounds).

IMAGE 4 (object reference): Image 4 is the Efeonce team softshell jacket. Image 4 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, a dark studio at night): she stands on the RIGHT half of the frame, framed from the waist up, wearing the NAVY EFEONCE SOFTSHELL JACKET over the navy polo, no lanyard, no watch, no rings. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm, she does not lean toward the lens. She holds her open right palm up at chest height and looks straight into the lens with a confident, knowing half-smile. Around her orbit FIVE glowing spheres of pure light, each the size of an orange, each a single saturated color: teal (#36C8BF), vivid orange (#FF6500), azure blue (#0375DB), red-orange (#F83902) and magenta-pink (#E86BD0). They travel along one wide tilted elliptical orbit that passes in front of her and behind her, and each sphere leaves a long luminous light trail of its own color along the orbit, like a long-exposure photograph, so the five colored trails braid into one orbit of light around her. The spheres are the only light sources besides a cool rim from behind: they paint her face, hand and jacket with colored light, one sphere hovers just above her open palm and lights it from below, one passes in front of the lens softly out of focus. Thin haze catches every colored trail. The LEFT 45% of the frame is calm, deep dark studio space with no spheres, no trails and no objects, only faint haze. Rich contrast, punchy saturated color, no text, no logos of any other brand.

FOREGROUND (planned): the dark blurred edge of a presentation table close to the lens, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Resuelve el intent con `efeonce.surface-composition` 0.1.2: surface deck, 16x9, role proposal, recipe `proposal-cinematic`, layout `lines`, theme dark; voice {eyebrow}, body (la frase) y opcionalmente lines (claves de `efeonceGraphicLine.lines`, por defecto growth, brand, engine, voice y revenue-hubspot); photo {register: 'cine', subject: 'nexa', plateRef: NX6b}. El layout fija la reserva izquierda del 45 % con inset 140: eyebrow a 96, logo de Efeonce negativo de 52 px de alto a 150, la frase en Poppins 300 a 30 px desde ~430 px de la izquierda a 160, y la pila desde 262 (fracciones de 1080): por línea, su `serviceName` en Poppins 500 17 px mayúsculas en el suave y su palabra del eslogan en Bricolage 760 a 96 px en el `accentOnDark` de esa línea, con 10 px entre filas. Selección con `efeonce.collaboration-selection` sobre el grupo de la pila: eight-handles, padding standard, sin overlay, colaborador «Nexa» tipo departamento en bottom-end, escala 1,25. Firma: logo junto a la frase (`brand-is-subject`) y burbuja URL en el pie. Sin pregunta, respuesta, prueba ni pasos.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame. TEXT SPACE (planned, essential): the LEFT 42% of the frame is the calm, evenly shadowed dark grey acoustic felt, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline; the subject sits in the right half.

SCENE (post-production suite, the editor finds the exact frame for a client's launch video): in focus, a video editor in a plain olive overshirt leans in CLOSE to a large colour-grading monitor, caught at the exact moment the index finger touches the timeline on the screen; the monitor is the brightest thing in the frame and its cool light lifts the editor's face and hand. A small lime-green sticky note on the monitor's edge; one plain azure-blue (#0375DB) coffee mug on the desk carries the only blue. Behind, soft and out of focus, acoustic panels in dark grey felt. 85mm f/1.8. LENS FRAMING (essential, compact): the editor's face, the pointing finger and the monitor are CLOSE TOGETHER, all three inside ONE circle whose diameter is about 75% of the frame height, centred at 74% of the frame width and at 56% of the frame height, with air around it; nothing essential outside that circle. The LEFT 45% of the frame holds only calm, evenly shadowed dark grey acoustic felt. Nobody looks at the lens. Screen content is soft, abstract colour, no readable text or numbers, unbranded.

FOREGROUND (planned): the dark rubber edge of the editing desk right at the lens, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), DARK near black; its center calm and even.

Compón la lámina `content-measure` con `pnpm brand:compose -- --intent src/lib/brand-surfaces/examples/deck-content-measure-intent.json` cambiando `voice`, `measure.value`, `measure.source`, `body`, `figures` y `photo`. Sobre el fondo oscuro Efeonce: a la derecha la lente de portada con la foto dentro y el arco que barre exactamente el valor medido desde las 12; a la izquierda, en el margen de deck, el eyebrow, la pregunta con su anillo, la cifra gigante en Bricolage 760 blanca con la esfera, el cuerpo que completa la frase, hasta dos cifras de apoyo con su etiqueta y la fuente al pie. Ningún texto entra al anillo; nada de logo ni burbuja.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

HORIZONTAL 16:9 composition. All people and objects stay entirely inside the RIGHT 55% of the frame.

SCENE (documentary, on location at a client's neighbourhood bakery at dawn): an Efeonce content producer in a plain charcoal cap and grey hoodie, caught at the exact moment she crouches and films the baker pulling a tray of bread from the oven with a phone on a small gimbal; the open oven mouth is the brightest thing in the frame and its warm light, together with cool daylight from the shop window, lights both faces and the steam rising from the bread. White tiled walls, steel racks, flour on the counter. One plain azure-blue (#0375DB) crate carries the only blue. 35mm f/2.8. Nobody looks at the lens. No readable signs or labels, unbranded.

FOREGROUND (planned): the floury steel counter edge right at the lens, dissolved into blur, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 16% of the frame (never a hard band), VERY LIGHT almost white; its center calm and even.

Compón una hoja de contactos 16:9 sobre el fondo navy con una caída de luz radial hacia la toma elegida (`surfaces.deck.recipes['contact-sheet']`). A la derecha, la toma elegida en grande con sombra profunda y, debajo, la tira de tres alternativas con sombra, marcas de corte en el azul del token y su pie «NN · momento» en Poppins Light gris suave. Sobre la elegida, la selección de `efeonce.collaboration-selection` (ocho manijas, velo sutil) resuelta con `resolveCollaborationSelectionIntent` y pintada con `renderCollaborationSelection`, con el cursor del colaborador («Dirección de arte») anclado abajo a la izquierda. A la izquierda, a media altura: la pregunta en Poppins Light en dos líneas con su anillo y la respuesta de una palabra en Bricolage 760 enorme con su esfera. Sin indicador, logo ni burbuja.

Compón una lámina 16:9 sobre color.dark. Arriba a la izquierda, en el margen de deck (140/1920), el eyebrow en versalitas en el suave de la voz (slogan.leadColor.onDark); debajo la pregunta en Poppins light con el anillo en el acento. La respuesta es UNA palabra en Bricolage a la escala de surfaces.deck.content-text.type.answer (≈0,37 del alto), blanca, cerrada por la esfera en el acento; la selección de AXIS (efeonce.collaboration-selection, ocho manijas, overlay sutil) la toma entera con el cursor del colaborador «Cliente» en bottom-end. En el tercio inferior: la bajada a la izquierda (dos líneas) y a la derecha tres pilares «Título · descriptor» separados por filetes. Indicador de navegación pieces.deck.content arriba a la derecha con la sección actual; burbuja URL horneada en el pie. Ningún texto toca la caja de selección ni el indicador.

Lámina 16:9 sobre color.dark con la cabecera canónica de contenido: eyebrow en el suave, pregunta con el anillo en el acento y respuesta en Bricolage (tres veces la pregunta como mínimo) cerrada por la esfera. Debajo, desde el 48 % del alto y en el ancho útil del margen de deck, una grilla de 2 × 2 con cuatro puntos: número 01–04 en Bricolage light en el acento, filete superior, título en Poppins seminegrita y descripción en light. Nunca uses la esfera como viñeta. La selección de AXIS (ocho manijas) toma el punto indicado con el cursor del colaborador en bottom-end. Indicador de navegación pieces.deck.content arriba a la derecha y burbuja URL horneada en el pie.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

VERTICAL 9:16 composition for Stories/Reels. All heads and hands stay BELOW 36% of the frame height. TEXT SPACE (planned, essential): the band between 10% and 32% of the frame height is the calm, evenly shadowed dark wall and ceiling above the screen, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline.

IMAGE 1 (object reference): Image 1 is the Efeonce team softshell jacket. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (documentary, client's boardroom late in the evening, the first-month results): an Efeonce account lead in the navy Efeonce softshell jacket over the navy polo holding a plain azure-blue (#0375DB) clicker, stands at a large wall screen and points at the moment a rising line crosses the target mark, caught mid-gesture as she turns her head toward the two clients seated in the dark foreground; nobody looks at the lens. The wall screen is the brightest thing in the frame and lights her face and hand in cool white-blue. The screen shows only a soft abstract rising line, no readable text or numbers. The dark ceiling and wall above the screen are calm and evenly shadowed. 35mm f/2.

FOREGROUND (planned): the dark shoulder and back of a seated client right at the lens, dissolved into blur, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 22% of the frame (never a hard band), DARK near black; its center calm and even.

Lámina 16:9 sobre color.dark. Columna de voz a la izquierda: eyebrow, pregunta en dos líneas con anillo, respuesta de una palabra en Bricolage muy grande cerrada por la esfera, bajada. Al centro-derecha, la lente circular con la foto del momento clave y alrededor un anillo con aire (orbit.ringAirRatio) que funciona como reloj: los otros tres momentos son satélites circulares en su posición horaria, cada uno con la hora en Bricolage light y su descriptor, del lado que no cruza la órbita. El arco en degradé del acento recorre del momento anterior al actual y NO lleva esfera. Junto al anillo, en la hora del momento clave, la hora grande y su rótulo; la selección de AXIS toma ese grupo con el cursor del colaborador «Cliente» en top-end. Sin indicador; burbuja URL horneada en el pie.

Lámina 16:9 sobre color.dark con un escenario de halo (color.halo y color.teal) y un degradé de piso. Voz a la izquierda: eyebrow, pregunta en dos líneas con anillo, respuesta de una palabra en Bricolage grande cerrada por la esfera, bajada con una palabra en negrita. Al centro-derecha, la captura del panel de Greenhouse en perspectiva (girado e inclinado), con sombra profunda y reflejo, flotando sobre la plataforma de luz: una elipse con su arco de acento. Alrededor, a distintas profundidades, cuatro fichas de herramienta con su isotipo real y, bajo cada una, el nombre en versalitas y la acción; un haz de luz va de cada ficha al panel. Bajo la plataforma, el rótulo de Greenhouse. Interfaces genéricas: no recrees el diseño propietario de nadie. Sin selección ni indicador; burbuja URL en luminosidad en el pie.

IT MUST NOT LOOK AI-GENERATED: a real candid documentary photograph taken by a working photographer on a full-frame mirrorless camera with a real lens. Realism comes from PEOPLE, LIGHT AND MATERIALS, not from dirt: visible skin pores, fine wrinkles, uneven skin tone, stray hairs, natural fabric creases, real paper texture, soft dust visible only in a beam of light, slight motion blur on moving hands, subtle natural lens vignetting, a slightly imperfect un-staged composition. The SPACE is clean, cared-for and organized like a premium creative studio: only one or two lived-in details (a mug, a notebook); NO dirt, NO stains, NO coffee rings, NO loose tape scraps, NO tangled cables, NO mess. No plastic skin, no perfect symmetry, no glossy CGI surfaces, no over-sharpening, no HDR, no beauty retouching, no stock-photo smiles. Natural true-to-life color with no color grading; highlights keep detail, shadows open. Latin American people with real, characterful faces. PRINTED MATTER EXISTS but is never readable: book spines, labels, packaging, papers and screens are present exactly as they would be in any real working room, and they are kept ILLEGIBLE BY PHYSICAL MEANS ONLY — too small, out of focus, cut by the frame edge, at a steep angle, turned away or lost in shadow — NEVER by being blank. NO blank book spines, NO empty labels, NO unmarked packaging, NO featureless screens: a room where nothing at all carries writing reads as fabricated. No logos, no brand marks, no watermarks, and no text sharp enough to actually read.

VISUAL IMPACT (this is an award-level editorial photograph, the kind that stops the scroll): ONE bold visual idea per frame; LIGHT WITH CHARACTER — a hard, directional beam of real sunlight or a single strong source sculpting the subject, with crisp graphic shadows and rich but detailed darks (never flat, never evenly lit); a DECISIVE MOMENT at the peak of the action; a GRAPHIC COMPOSITION with strong geometry, clear figure-ground separation and generous calm negative space; THREE distinct depth planes (blurred foreground, sharp subject, soft background). COLOR: natural true-to-life color, no grading; a restrained palette where bright azure blue (#0375DB) emerges naturally in the spatial composition through scene light, reflections, real materials or the relationship between depth planes, creating graphic rhythm without requiring a separate blue prop; everything else calm and neutral-warm; highlights keep detail; white balance warm-neutral, shadows never blue.

MOTIVATED LIGHT — verify it by these landmarks: the light on the subject comes from a SOURCE THAT IS VISIBLE IN THE FRAME — a monitor, a screen, a practical lamp, a window — and that source is what lights them. The fall-off is visible: the side of the face nearest the source is lit and the far side drops into darkness, with the direction reading unmistakably from the source. Colour comes from the real source, never from a colour filter or a grade over the whole image.

ATMOSPHERE: a low even haze hangs in the air of the space, so the shafts of light stand as solid visible columns and distance reads in layers; the haze is clean and thin, never fog, never smog.

VERTICAL 4:5 composition. All heads and hands stay BELOW 36% of the frame height. TEXT SPACE (planned, essential): the TOP 30% of the frame is calm, deep dark space with only faint haze, a DEEP, warm, evenly toned shadow, deep but ALWAYS keeping visible texture and detail of the material — never a flat pure-black panel, never an evenly filled shape — dark enough for white text, with no objects, windows, light beams or bright spots in it, reserved for a headline.

IMAGE 1 (object reference): Image 1 is the Efeonce team polo. Image 1 shows this garment ALREADY WORN, with its Efeonce mark already applied. Copy the GARMENT exactly as it appears there — same colour, same cut, same mark at the same size and position, and the way it sits and creases on a body. The PERSON in that image is NOT the person in this scene and their face, body and pose do not carry over; ignore them and ignore the background entirely. Do NOT redraw, resize or restyle the mark: it is not yours to design, only to copy.

SCENE (cinematic, Hollywood blockbuster still, epic scale, a vast dark cathedral-like space at night, slight low camera angle): an EFEONCE SEO strategist, a Latin American woman in her early thirties, dark hair in a low bun, wearing the NAVY EFEONCE POLO, stands slightly LEFT of center in the lower two thirds of the frame, framed from the waist up, looking straight into the lens with a quiet, confident half-smile, holding a thin tablet at her side. REALISTIC ADULT PROPORTIONS: camera about two meters away at chest height, 85mm. Behind her, receding for hundreds of meters into the darkness, floats an immense field of THOUSANDS of identical thin dark glass cards in endless rows and columns, all unlit, anonymous and barely visible, like every brand nobody sees. From the upper right, OUTSIDE the frame, a WIDE, dramatic volumetric azure-blue (#0375DB) follow-spot beam, like a stage spotlight, cuts diagonally down through thick haze and lands on ONE single card just beside her right shoulder: that card blazes brilliant white with an azure core, much larger and closer than the others, lifted forward out of the field, radiating light rays and fine glowing particles, with a teal (#36C8BF) rim; its light floods her face, hair and shoulder. The beam enters the frame only below 32% of its height. The beam is the brightest element of the frame and the only strong light besides a cool rim behind her; every other card stays in darkness. Dust and haze sparkle inside the beam. The TOP 30% of the frame is calm, deep dark space with only faint haze, no cards, no beam, no objects. Enormous contrast, punchy, awe-inspiring, no logos of any other brand, no readable text.

FOREGROUND (planned): the dark blurred edge of a desk close to the lens across the bottom, outside every light, so close to the lens that it dissolves into a soft abstract blur with no visible edges or details, spanning the ENTIRE width of the bottom 18% of the frame (never a hard band), DARK near black; its center calm and even.

Lámina 16:9 sobre color.dark con escenario de halo. Voz a la izquierda: eyebrow, pregunta en dos líneas con anillo, respuesta en dos líneas en Bricolage cerrada por la esfera, bajada con una palabra en negrita. A la derecha, en perspectiva: detrás, una tarjeta clara con el tablero de Notion (isotipo real, título, avance y tres columnas), girada hacia la revisión, con la tarjeta «En revisión» encendida en el acento; al frente, más grande y con reflejo, la revisión de Frame.io (isotipo real, título de la pieza, chips v1 y v2), con la pieza a la izquierda y su marcador 1, y a la derecha el comentario del cliente, la respuesta de Efeonce y los botones «Comentar» y «Aprobar». Un haz de luz une la tarjeta en revisión con Frame.io. Bajo la revisión, la plataforma de luz con su arco de acento. El grupo CTA aprobado de AXIS toma «Aprobar»: corchetes abiertos y cursor local en end-center. Interfaces genéricas con isotipos reales; burbuja URL en luminosidad en el pie.